Audiobooks are where long-form craft really shows. Anyone can read well for a few minutes – sustaining quality, nuance and energy across eight, ten, twelve hours of audio is something else entirely. It requires preparation, stamina and a genuine engagement with the text that goes well beyond reading the words aloud.
I’ve narrated across fiction and non-fiction, working with publishers, independent producers and direct clients. Whether it’s a single-voice novel, a character-rich drama or a detailed non-fiction title, I bring the same commitment: to keep the listener inside the story, not thinking about the recording.








From dense technical scripts to accessible e-learning modules, here’s a selection of corporate and business projects. Clear, consistent and built around the brief.
Narration of Varsha Shah’s children’s adventure Ajay and the Mumbai Sun. Set in Mumbai, the story combines adventure, humour and a wide range of characters, requiring an energetic and engaging long-form performance. Recorded and edited at my home studio.
Narration of Shiv Khera’s bestselling personal-development book You Can Win. The nonfiction read required a confident, accessible delivery that could sustain and engage the listener across a long-form audiobook showcasing the author’s own drive and enthusiasm in the delivery.
Scottish-accented children’s audiobook sample from The Little Pony by Mike McClintock. A warm, playful and characterful read designed to bring the story to life for younger listeners.
Narcopolis was shortlisted for the 2012 Man Booker Prize and is set in Bombay’s underworld. A sample read of this book.
Scottish audiobook sample from The Sea Detective, using a natural, atmospheric delivery suited to literary crime and mystery. The read combines warmth, restraint and a distinctly gritty Scottish voice while keeping the storytelling grounded and immersive.
Scottish audiobook sample from Aamina Ahmad’s The Return of Faraz Ali, a literary crime novel set in Lahore. The read uses a natural, restrained Scottish delivery to bring an atmospheric and character-led quality to the storytelling.
Have a title you’d like me to narrate? Get in touch to discuss the brief and request a quote.
Would you like to hear a sample from your manuscript before you decide? I’m happy to record a short audition passage. Get in touch.
A few things clients often ask before we get started.
Yes. I’m familiar with the technical and quality requirements of the main audiobook production and distribution platforms.
Yes. I’m experienced in differentiating characters while maintaining narrative consistency across a full-length title.
I can work both ways. I’m set up for fully self-produced delivery or can work within a directed production process.
It depends on the length and complexity of the title. Let’s talk through your project and I’ll give you a realistic timeline.
Yes, as standard. Quality across the full final file matters as much as quality in the booth.
Yes. Pronunciation notes, character lists, place names and author guidance are all useful before recording starts.
Yes. I can maintain consistency across a series, including recurring characters, tone and narration style.
Got a project in mind? Get in touch and let’s talk through what you need.